Table Of Contents
The use of hand stitch as a means of developing economic independence with a focus on women within Indian rural communitiesAlice Kettle (Senior Research Fellow MMU)
Outside and inside
Outsider artists, and Fine cell workAlice Kettle(Senior Research Fellow MMU)
Sound and Air
David Littler (sampler) and Janet Echelman
Stitching another dimensionJune Hill (Curator and Research Assistant UCA)
The place of hand stitch in ecclesiastical practice, with a particular focus on the late Beryl Dean archive.Prof Tom Lundberg (Colorado State University, USA)
The use of mystical imagery developed through hand stitch. Linking the indigenous and the contemporary. The American practice of hand stitch.Tracy Gill (MA MMU Gawthorpe Hall Education assistant)
New title to be inserted shortlyDr Melanie Miller (Senior lecturer MA route leader MMU)
Focus on Lynn Setteringtons work, the empowerment of communities through the collective practice of hand stitch. The collaborative project which gives identity and voice to the community.
Kate Egan (Senior lecturer MMU)
Large scale from small scale related to Whitworth Gallery installation as case study
Lesley Mitchison
New title to inserted shortly
Jane Mckeating
Student project Hand stitch with Coats threads.
Hand stitch glossary using student examples and invited artists
Dr Nigel Hurlstone (Senior lecturer MMU)
New title to inserted shortly
Sue Prestbury (MMU Technician)
A historical perspective illustrated by a current project at Staircase house.
Anne French (Textile conservator at the Whitworth art Gallery)
New title to be inserted shortly
James Hunting (Course leader foundation Degree in Hand stitch Royal School of Needlework)
New title to be inserted shortly
Prof Anne Morrell
The origins of Hand stitch, historical background with the journey from basket and mat making. The migration of stitch and the practice of stitch by movement, from the Victorian approach up to the present day.
Ian Wilson ( freelance writer in applied art and craft, Embroidery , Crafts Magazines)
Therese de Dillmont
Dr David Owen (University of Southampton)
The hand
Visual documentation
Helen Felcey (programme Leader MMU Design LAB)
The visual narrative. Supporting programme of photographic and documentary recording of the practice and place.
Jane McKeating and Alice Kettle to insert contemporary hand stitch artists chapter.
Forward
Jo Hall editor (embroidery Magazine)
Introduction
Prof Lesley Millar (UCA Farnham)
Reviews
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