Arnolfini welcomes you to discover Threads, a major exhibition featuring 21 contemporary international artists and makers, who use textiles as their chosen medium.
Celebrating material and making, these artists use the storytelling power of textiles to connect with past traditions, find commonalities between cultures, time and place, and to ‘breathe stories into materials’.*
Threads encompasses processes of weaving and spinning, rug-making, stitching and embroidery, print, knit, threading, mending and found materials, with materials and techniques handed down, reused and reinvented.
Co-curated by leading textile artist Alice Kettle, Threads weaves throughout Arnolfini’s three floors, to reveal how textiles ‘remember’**, how memory is ‘embedded within the process of making’*** and how new narratives are created.
Reflecting a range of experiences, materials, processes and artistic impulse, exhibiting artists are: Caroline Achaintre, Mounira Al Solh, Ifeoma U. Anyaeji, Olga de Amaral, Will Cruickshank, Monika Žaltauskaitė-Grašienė, Lubaina Himid, Young In Hong, Raisa Kabir, Alice Kettle, Anya Paintsil, Anousha Payne, David Penny, Anna Perach, Celia Pym, Richard McVetis, Ibrahim Mahama, Farwa Moledina, Lucy Orta, Yinka Shonibare and Esna Su.
Artists explore narratives of movement and exchange, environmental concerns, sustainability, labour, trade, migration, post-colonial narratives, identity, gender, politics, community building and place making, reflecting our histories in a current context.
Through these acts of making, each artist engages with the idea of how we remember, asking us to question where, and how, and with what the work has been created. Threads are unravelled as new stories become intertwined, and audiences are invited to engage with their own memories through material and making.
Threads also includes:
New artist commissions by Birmingham-based Farwa Moledina and Bristol-based South Korean artist Young In Hong.
A reimagining of the work Ezuhu ezu by Nigerian artist Ifeoma U. Anyaeji during her residency in Bristol as the first recipient of the Arnolfini ACBMT International Artist Residency Award.
An opportunity for audiences to engage with Bristol’s own complex textile history through a digital memory map and audio stories focusing upon the sites of the Great Western Cotton Factory and Bristol’s new ‘textile quarter’ – home to Bristol Weaving Mill, Threads collaborative partner and pioneers of a thriving new textile industry in Bristol – creating an additional historical context for the narratives explored in Threads.
An accompanying exhibition of work showcasing the talents of refugee women who attend Arnolfini’s Women’s Craft Club and members of Bristol-based charity Bridges for Communities’ Stitching Together, refugee sewing group.
A supporting programme of engagement activities including family workshops from Let’s Make Art, participatory artworks, Celia Pym’s Mending Project, interactive activities from Bristol Weaving Mill and talks, music, dance, and film, will further bring the building to life with opportunities to ‘make, unmake, and remake connections’, creating a new community of makers and memories.
About the Curators
Threads has been co-curated by Arnolfini and Alice Kettle an artist who has established a unique area of practice. Her large figurative stitched works, exploit the textures and effects made possible through the harnessing of a mechanical process to intuitive, conceptual and creative ends, in which stories collide with autobiographical and contemporary events, folklore and mythology. Her work is represented in various international public collections including the Crafts Council, the Whitworth Manchester, Liverpool International Slavery Museum, Museum of Decorative Art and Design, Riga, Latvia, Ararat Art Gallery Australia, the Belger Collection, Kansas City USA. She is professor of Textile Arts at Manchester School of Art, Manchester Metropolitan University and has co-authored and edited various publications including Machine Stitch Perspectives, Hand Stitch Perspectives, Collaboration through Craft, and The Erotic Cloth with Bloomsbury. She is represented in the UK by Candida Stevens Gallery.
Kettle’s contribution to Threads acknowledges the influence of research carried out as part of a wider project with Professor Lesley Millar, University for the Creative Arts.
https://arnolfini.org.uk/whatson/threads/
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