Abstract
Alice Kettle’s stitched works can be viewed in the canon of English figurative embroidery. She uses stitch and thread as a narrative device and as a connecting line, which ties together individual and collective stories as multiple strands across time. The article gives an overview of Kettle’s works which integrate auto- biography with mythology and contemporary event, tracing the lineage practices of women and offering a feminine viewpoint to chronicle experience. The works document the recent histories of sociopolitical disrup- tion in Europe, which heralded the fragmentation of unity and Brexit. The recent project Thread Bearing Witness concerns people displacement, migration and global conflict. Stitch is used as a means to represent the marginalized and multiple voices of refugees and those seeking asylum. Stitch is viewed as an expressive and empowering means to change perceptions, promote change and as a common language of making.